The play opens with Nora and the porter, and it immediately puts the Es

The play opens with Nora and the porter, and it forthwith puts the spotlight on money, which emerges as one of the forces driving the plays conflictsAnalysisThe play opens with Nora and the porter, and it immediately puts thespotlight on money, which emerges as one of the forces driving theplays conflicts as it draws lines between sexual practices, classes, and moralstandards. Though Nora owes the porter a shilling, she gives him apound, twenty times the value, presumably because she is infused withthe holiday spirit. While Nora likes to spend and allows the idea ofbuying presents to block out financial concerns, Torvald holds a morepragmatic view of money, jokingly calling Nora a spendthrift andtelling her that she is completely foolish when it comes to financialmatters.Torvalds assertion that Noras lack of understanding of money mattersis the result of her gender Nora, my Nora, that is just like a womanreveals his prejudiced viewpoint on women. He quickly makes it k needlyntha t appearances are very important to him, and that Nora is like an fancify or trophy that serves to his home and his reputation.Noras first conversation with Mrs. Linde plays a key role inestablishing Noras childlike, self-centered, and insensitivecharacter. Though she claims to be enkindle in Mrs. Lindesproblems, Nora repeatedly turns the conversation back to her own lifewith Torvald. Noras self-centeredness is further demonstrated in herrevelation that she failed to write to Mrs. Linde afterward her husbandpassed away. It is only now, three years after the fact, that Noraexpresses her sympathy up to this point, she has made no effort tothink beyond herself, and the fact that she does so now seems ... ...ut her husband in a good mood by mentioning the costume that shewill be wearing at the dance. The thought of Nora dressed up and feeling beautiful excites Torvald, who takes great pleasure in thebeauty of his house and his wife.Torvalds remark about KrogstadI honestly feel sick, sick to mystomach, in the aim of such peopleillustrates his deep contemptfor moral corruption of Krogstads sort. While he thinks that such abad character is in direct contrast to his sweet little Nora, we areaware that Krogstad and Nora have committed exactly the samecrimeforgery. Torvald, then, has unwittingly referred to Nora when hescorns such people. Torvalds unlettered condemnation of the actionsof the woman he loves is an excellent example of dramatic irony, adevice that makes the audience see details of which certain charactersare ignorant too.