Monday, May 25, 2020

Film Adaptation Of Shakespeare s The Tempest - 1122 Words

Julie Taymor s 2010 film adaptation of Shakespeare s The Tempest is a truthful recreation of the classic romantic tragicomedy in all aspects except that the role of the magician, Prospero, is played by Helen Mirren, turning him from Prospero to Prospera. Through this simple change in the gender of one of the main characters, we see the play s themes called into question and viewed differently to how they would have been if the role of Prospero was played by a male. These themes include the usurpation of royalty and family. This review will discuss how Taymor s decision to change Prospero s gender is a critique of modern gender discourse. When Sebastian and Antonio usurp Prospera during the flashback in the middle of the film, we†¦show more content†¦I feel that through this decision, Taymor is commenting on the state of Elizabethan society and its view of women, who were desirable only if they were silent and invisible (Greer 2007, 4) and although not as conservative as the Elizabethan era, our own contemporary society, where women are still not equal to men. It also comments on how there is a canon built around Shakespeare, whose parts for women are comparatively few and composed largely of supporting rather than leading roles. (Goodman 2001, 71). Due to this canon, Taymor (and many other directors and screenwriters) are forced to reinvent Shakespeare s plays (Goodman 2001, 84-85). Family is one of, if not the biggest theme in Shakespeare s The Tempest and this theme is of course shown in Taymor s adaptation of the play. But the fact that Prospero is a woman in the film shows the audience a deeper relationship between Prospera and Miranda – the mother-daughter relationship. In the original play, we see Prospero as owning his daughter rather than having a normal father-daughter relationship with her. It is as though Miranda is an object to be given as a prize to another man – Ferdinand. InShow MoreRelatedThe Adaptation of The Tempest by William Shakespeare to the Film Prosperos Books531 Words   |  3 PagesThe Adaptation of The Tempest by William Shakespeare to the Film Prosperos Books When adapting a play for the screen, a director’s primary responsibility is to visualize an enactment that remains true to the original work’s perception. In addition to this task, the director must also build upon the foundations laid by the script; without this goal, (s)he would have no reason to have undertaken the project in the first place. 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